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After a period of suspicion and awkwardness, they resume intimacies, but the next morning she is found dead in her bed, an apparent suicide.
She has left him a note confessing to having been a double agent. Everything in the novel—from the Cold War ideology , to the aura of sophistication around food, drink, cigarettes, and cars in the faded casino towns of northern France, to the potent mix of sentimentality and misogyny—is redolent of the early s in which it was written.
The plot is simple, even elemental. Casino Royale was intended as the first of a series, and it received generally favourable reviews and satisfactory sales in Britain.
The Bond books gained wide popularity in the United States after the newly elected president, John F. Kennedy , named From Russia With Love on his list of favourite books in A well-received updated adaptation of the book, starring Daniel Craig as Bond, appeared in Article Contents.
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Eventually the atomic pill explodes, destroying Casino Royale with everyone inside. Sir James and all of his agents then appear in heaven, and Jimmy Bond is shown descending to hell.
Major stars , such as George Raft and Jean-Paul Belmondo , were given top billing in the film's promotion and screen trailers despite the fact that they only appeared for a few minutes in the final scene.
Casino Royale also takes credit for the greatest number of actors in a Bond film either to have appeared or to go on to appear in the rest of the Eon series — besides Ursula Andress in Dr.
Milton Reid , who appears in a bit part as the temple guard, opening the door to Mata Bond's hall, played one of Dr. John Hollis , who plays the temple priest in Mata Bond's hall, went on to play the unnamed figure clearly intended [ original research?
Well-established stars like Peter O'Toole and sporting legends like Stirling Moss took uncredited parts in the film just to be able to work with the other members of the cast.
The film also proved to be young Anjelica Huston 's first experience in the film industry as she was called upon by her father, John Huston , to cover the screen shots of Deborah Kerr 's hands.
John Le Mesurier features in the early scenes of the film as M's driver. Feldman had represented Ratoff and bought the film rights for Casino Royale from his widow.
Broccoli , who had held an interest in adapting James Bond for some years, offered to purchase the Casino Royale rights from Feldman, but he declined.
They eventually decided not to proceed after they saw the film Dr. No , the first Bond adaptation made by Broccoli and his partner Harry Saltzman through their company Eon Productions.
The attempt at a co-production eventually fell through as Feldman frequently argued with Broccoli and Saltzman, especially regarding the profit divisions and when the Casino Royale adaptation would start production.
Feldman approached Sean Connery to play Bond, but rejected Connery's offer to do the film for one million dollars.
Given Eon's series led to spy films being in vogue at the time, Feldman opted to make his film a spoof of the Bond series instead of a straightforward adaptation.
Ben Hecht's contribution to the project, if not the final result, was in fact substantial and he wrote several complete drafts. Time magazine reported in May that Hecht had "three bashes" at completing a script, while his papers contain material from four surviving screenplays by Hecht.
A draft from discovered in Hecht's papers — but which does not identify the screenwriter — is a direct adaptation of the novel, albeit with the Bond character absent, instead being replaced by a poker-playing American gangster.
Later drafts see vice made central to the plot, with the Le Chiffre character becoming head of a network of brothels as he is in the novel whose patrons are then blackmailed by Le Chiffre to fund Spectre an invention of the screenwriter.
The racy plot elements opened up by this change of background include a chase scene through Hamburg 's red light district that results in Bond escaping disguised as a female mud wrestler.
New characters appear such as Lili Wing, a brothel madam and former lover of Bond whose ultimate fate is to be crushed in the back of a garbage truck, and Gita, wife of Le Chiffre.
The beautiful Gita, whose face and throat are hideously disfigured as a result of Bond using her as a shield during a gunfight in the same sequence which sees Wing meet her fate, goes on to become the prime protagonist in the torture scene that features in the book, a role originally Le Chiffre's.
Virtually nothing from Hecht's scripts was ever filmed, although a draft dated to February has a line of dialogue containing the idea of MI6 having given multiple agents the name of James Bond after Bond has died to confuse the other side.
Time reported in that the script had been completely re-written by Billy Wilder , and by the time the film reached production only the idea that the name James Bond should be given to a number of other agents remained.
This key plot device in the finished film, in the case of Hecht's version, occurs after the demise of the original James Bond an event which happened prior to the beginning of his story which, as Hecht's M puts it, "not only perpetuates his memory, but confuses the opposition.
Feldman called it "a four ring circus". Feldman originally intended to cast Terence Cooper as James Bond and had him under personal contract for two years prior to the movie being made.
Sellers originally turned him down saying he felt the image of Bond was "too fixed". Feldman persuaded Sellers to change his mind by asking the actor to instead play a "little man" who plays James Bond.
Filming started 11 January Extensive sequences also featured London, notably Trafalgar Square and the exterior of 10 Downing Street.
Mereworth Castle in Kent was used as the home of Sir James Bond, which is blown up at the start of the film. Much of the filming for M's Scottish castle was actually done on location in County Meath , Ireland , with Killeen Castle as the focus.
Five different directors helming different segments of the film and with stunt co-ordinator Richard Talmadge co-directing the final sequence.
Huston's sequence involved Sir James Bond meeting the representatives of agencies. It was shot in Ireland and Kent in April Huston worked on his section of the script with Wolf Mankowitz.
Huston had written most of Beat the Devil on location but says "that was discipline compared to this. It was day to day then it's moment to moment here.
Huston says the film "was broached to me as a lark, which it was. Joseph McGrath shot for six weeks. Ken Hughes was not known for comedies generally but had just directed the comedy Drop Dead Darling.
Val Guest wrote and directed the last section and was given the responsibility of splicing the various "chapters" together.
He was offered the unique title of co-ordinating director but declined, claiming the chaotic plot would not reflect well on him if he were so credited.
His extra credit was labelled 'additional sequences' instead. Director credits: . Part of the behind-the-scenes drama of this film's production concerned the filming of the segments involving Peter Sellers.
Screenwriter Wolf Mankowitz declared that Sellers felt intimidated by Orson Welles to the extent that, except for a couple of shots, neither was in the studio simultaneously.
Other versions of the legend depict the drama stemming from Sellers being slighted, in favour of Welles, by Princess Margaret whom Sellers knew during her visit to the set.
Welles also insisted on performing magic tricks as Le Chiffre, and the director obliged. Director Val Guest wrote that Welles did not think much of Sellers, and had refused to work with "that amateur".
Director Joseph McGrath , a personal friend of Sellers, was punched by the actor when he complained about Sellers's behaviour on the set.
Some biographies of Sellers suggest that he took the role of Bond to heart, and was annoyed at the decision to make Casino Royale a comedy, as he wanted to play Bond straight.
This is illustrated in somewhat fictionalised form in the film The Life and Death of Peter Sellers , based on the biography by Roger Lewis , who has claimed that Sellers kept re-writing and improvising scenes to make them play seriously.
This story is in agreement with the observation that the only parts of the film close to the book are the ones featuring Sellers and Welles.
Jean-Paul Belmondo and George Raft received major billing , even though each actor appears only briefly. Both appear during the climactic brawl at the end, Raft flipping his trademark coin and promptly shooting himself dead with a backward-firing pistol, while Belmondo appears wearing a fake moustache as the French Foreign Legion officer who requires an English phrase book to translate " merde!
At the Intercon science fiction convention held in Slough in , David Prowse commented on his part in this film, apparently his big-screen debut.
He claimed that he was originally asked to play "Super Pooh", a giant Winnie-the-Pooh in a superhero costume who attacks Tremble during the Torture of The Mind sequence.
This idea, as with many others in the film's script, was rapidly dropped, and Prowse was re-cast as a Frankenstein -type monster for the closing scenes.
The final sequence was principally directed by former actor and stuntman Richard Talmadge. Sellers went absent for days or weeks at a time, refused to appear in his scenes with Welles  and left the production before all of his scenes had been shot.
The framing device of a beginning and ending with David Niven was created to salvage the material. Bond contemplates resigning from the Service and asking her to marry him as the mental trauma of being tortured has made him reluctant to return to field duty.
Lynd becomes nervous after seeing a one-eyed man watching her movements and starts pushing Bond away, even getting a separate room.
One morning, he wakes up to learn that she committed suicide by overdosing on sleeping pills. She leaves behind a note explaining that she had been working as an unwilling double agent for the Soviet Ministry of Internal Affairs.
Soviet agents had kidnapped her lover, a Polish Royal Air Force pilot , who had revealed information about her under torture; SMERSH had threatened his life to force her to help them gather information on the Service for years, meaning Bond's mission was compromised from the beginning.
She had tried to start a new life with Bond, but upon seeing the man — a SMERSH operative — she realized that her lover had been killed, and knowing that staying with Bond would make him a target, she took her own life.
Bond informs his superiors of Lynd's duplicity, coldly telling his contact, "The bitch is dead now. Educated at Eton , Sandhurst and, briefly, the universities of Munich and Geneva , Fleming moved through several jobs before he was recruited by Rear Admiral John Godfrey , the Director of Naval Intelligence , to become his personal assistant.
Fleming joined the organisation full-time in August ,   with the codename "17F",  and worked for them throughout the war.
In Fleming attended an Anglo-American intelligence summit in Jamaica and, despite the constant heavy rain during his visit, he decided to live on the island once the war was over.
In this role he oversaw the paper's worldwide network of correspondents. His contract allowed him to take two months holiday every winter in Jamaica.
Fleming had previously mentioned to friends that he wanted to write a spy novel,  but it was not until early , to distract himself from his forthcoming nuptials, that he began to write Casino Royale at his Goldeneye estate in Jamaica on 17 February; he typed out 2, words in the morning, directly from his own experiences and imagination,   and finished work on the manuscript in March In May he wrote a piece for Books and Bookmen magazine in which he said: "I write for about three hours in the morning I never correct anything and I never go back to see what I have written By following my formula, you write 2, words a day.
Back in London, Fleming had his manuscript—which he described as his "dreadful oafish opus"  —retyped by Joan Howe, his red-haired secretary at The Times on whom the character Miss Moneypenny was partly based.
At first they were unenthusiastic, but were persuaded to publish on the recommendation of Fleming's older brother, Peter , an established travel writer whose books they managed.
Although Fleming provided no dates within his novels, two writers have identified different timelines based on events and situations within the novel series as a whole.
John Griswold and Henry Chancellor—both of whom have written books on behalf of Ian Fleming Publications —put the events of Casino Royale in ; Griswold allows a possible second timeframe and considers the story could have taken place in either May to July , or May to July Casino Royale was inspired by certain incidents that took place during Fleming's wartime career at the Naval Intelligence Division NID , or by events of which he was aware.
Because of Portugal's neutral status, Estoril's population had been swelled by spies and agents from the warring regimes. Fleming claimed that while there he was cleaned out by a "chief German agent" at a table playing chemin de fer.
Both Papen and Bond survived their assassination attempts, carried out by Bulgarians, because trees protected them from the blasts. Fleming also included four references in the novel to "Red Indians", including twice on the last page, which came from a unit of commandos , known as No.
Fleming initially named the character James Secretan before he appropriated the name of James Bond , author of the ornithology guide, Birds of the West Indies.
Fleming decided that Bond should resemble both the American singer Hoagy Carmichael and himself,  and in the novel Lynd remarks that "Bond reminds me rather of Hoagy Carmichael, but there is something cold and ruthless.
Bond's order, to be served in a deep champagne goblet , was for "three measures of Gordon's , one of vodka , half a measure of Kina Lillet.
Shake it very well until it's ice-cold, then add a large thin slice of lemon peel. Speaking of Bond's origins, Fleming said that "he was a compound of all the secret agents and commando types I met during the war",  although the author gave many of his own traits to the character.
William Cook in New Statesman . Bond's superior, M, was largely based on Godfrey, Fleming's NID superior officer;  Godfrey was known for his bellicose and irascible temperament.
Fleming later said of his work, "while thrillers may not be Literature with a capital L, it is possible to write what I can best describe as 'thrillers designed to be read as literature ' ".
The semiotician and essayist, Umberto Eco , in his examination of the Bond books, "The Narrative Structure of Ian Fleming", considered that Fleming "has a rhythm, a polish, a certain sensuous feeling for words.
That is not to say that Fleming is an artist; yet he writes with art. Casino Royale was written after, and was heavily influenced by, the Second World War;  Britain was still an imperial power,  and the Western and Eastern blocs were engaged in the Cold War.
In parts of central London, including Oxford Street and High Holborn still had uncleared bomb sites and sweets had ceased being rationed, but coal and other food items were still regulated.
Casino Royale deals with the question of Anglo-American relations, reflecting the real-world central role of the US in the defence of the West.
Amis, in his exploration of Bond in The James Bond Dossier , pointed out that Leiter is "such a nonentity as a piece of characterization The treachery of Le Chiffre, with the overtones of a fifth column , struck a chord with the largely British readership as Communist influence in the trade unions had been an issue in the press and parliament at the time.
Benson considers the most obvious theme of the novel to be good versus evil. In light of Bond's conversation, Butterfield identifies a crisis of confidence in Bond's character, where he has "moved beyond good and evil" to the point where he does his job not because of principles, but to pursue personal battles.
Black also identifies a mechanism Fleming uses in Casino Royale —and in subsequent Bond novels—which is to use the evil of his opponents both as a justification of his actions, and as a device to foil their own plans.
Black refers to the episode of the attempted assassination of Bond by Bulgarian assassins which results in their own deaths. It's nothing but machines now.
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