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In The Call of the Wild , London intensifies and adds layers of meaning that are lacking in these stories.
As a writer London tended to skimp on form, according to biographer Labor, and neither The Call of the Wild nor White Fang "is a conventional novel".
The format of the story is divided into four distinct parts, according to Labor. In the first part, Buck experiences violence and struggles for survival; in the second part, he proves himself a leader of the pack; the third part brings him to his death symbolically and almost literally ; and in the fourth and final part, he undergoes rebirth.
London's story is a tale of survival and a return to primitivism. Pizer writes that: "the strong, the shrewd, and the cunning shall prevail when Pizer also finds evident in the story a Christian theme of love and redemption, as shown by Buck's refusal to revert to violence until after the death of Thornton, who had won Buck's love and loyalty.
Doctorow says the theme is based on Darwin 's concept of survival of the fittest. London places Buck in conflict with humans, in conflict with the other dogs, and in conflict with his environment—all of which he must challenge, survive, and conquer.
He learns that in a world where "the club and the fang" are law, where the law of the pack rules and a good-natured dog such as Curly can be torn to pieces by pack members, that survival by whatever means is paramount.
London also explores the idea of "nature vs. Buck, raised as a pet, is by heredity a wolf. The change of environment brings up his innate characteristics and strengths to the point where he fights for survival and becomes leader of the pack.
Pizer describes how the story reflects human nature in its prevailing theme of the strength, particularly in the face of harsh circumstances.
The veneer of civilization is thin and fragile, writes Doctorow, and London exposes the brutality at the core of humanity and the ease with which humans revert to a state of primitivism.
Doctorow sees the story as a caricature of a bildungsroman — in which a character learns and grows — in that Buck becomes progressively less civilized.
John Myers O'Hara , Atavism. The stanza outlines one of the main motifs of The Call of the Wild : that Buck when removed from the "sun-kissed" Santa Clara Valley where he was raised, will revert to his wolf heritage with its innate instincts and characteristics.
The themes are conveyed through London's use of symbolism and imagery which, according to Labor, vary in the different phases of the story.
The imagery and symbolism in the first phase, to do with the journey and self-discovery, depict physical violence, with strong images of pain and blood.
In the second phase, fatigue becomes a dominant image and death is a dominant symbol, as Buck comes close to being killed. The third phase is a period of renewal and rebirth and takes place in the spring, before ending with the fourth phase, when Buck fully reverts to nature is placed in a vast and "weird atmosphere", a place of pure emptiness.
The setting is allegorical. The southern lands represent the soft, materialistic world; the northern lands symbolize a world beyond civilization and are inherently competitive.
Buck must defeat Spitz, the dog who symbolically tries to get ahead and take control. Requires iOS 9. Compatible with iPhone, iPad, and iPod touch.
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To prepare for play: Take the kings, queens and jokers from the pack of cards. To be first to hit the score of To assist younger learners, a set of operation cards will help.
For children unable to calculate the answers mentally, paper and pencils should be available. Tebworth , Bedfordshire , England. Gaynor Jones.
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